Showing posts with label Seinfeld. Show all posts
Showing posts with label Seinfeld. Show all posts
21 August 2012
...The Common Databend
Posted by
Will Weaver
at
14:26
As the autumn truck rolls with a devastatingly inexorable momentum into a town near you, it brings together - like Tango & Cash - two seemingly unmatchable miss-matches of datamoshing and the common cold and makes an unarguable link between the two; there's a lot of it about.
It's so common this common cold that they called it the common cold, so allow me to rename this so-called databending (the now common practice of dicking around with the underlying code of a visual file such as a JPG or MPEG and outputting it to get some sometimes Pretty Ugly random results) the common databend. Pedant note: it's also referred to as datamoshing or glitch art - or as I prefer, the common datamosh or the common glitch art.
My favourite common datamosh comes when the process is as untouched by the human hand as possible therefore removing any conscious 'artistic' influence and letting the aesthetic chips fall where they may. My common datamosh effort above was created by opening up Google Chrome to watch Jerry Seinfeld's latest project Comedians in Cars Getting Coffee and hitting the exposé button in OS X. When the window resized - et voilà ! Instant glitch art. Completely random and un-replicatable. Unique.
More from the common databend can be found here:
Glitch art created by 'databending' - Duncan Geere
Auf einen Augen-Blick - Simon Crab
Databending and Glitch Art - Owen Priestley
Data Moshing and Glitch Art - Sam Smith
Compression Reel - David OReilly
Kanye West [Welcome to Heartbreak] - Nabil Elderkin
Evident Utensil - Chairlift
Labels:
databending
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datamoshing
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glitch art
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Readymade
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Seinfeld
26 July 2010
...cultural baggage. Number 2: Seinfeld
Posted by
Will Weaver
at
09:05
I should explain. This van was in front of me on the M25 Dartford toll. What is that logo? I thought. It's certainly not a Self Drive company logo. It's a hangover from the eighties; proof on four wheels that design in the early nineties existed.
It's Seinfeld. It's definitely Seinfeld. Yellow, shaped background. Big blue typeface. A touch of red. Primary colours in all their sickly glory. Seinfeld.
Camera. Click. Drive. Tollbooth. Think. Drive. Barbecue. Drive. Ponder. Definitely Seinfeld. Drive. Tollbooth. Ruminate. Drive. Park. Upload.
Re-assess.
It's not Seinfeld.
In comparison it's not. I admit.
But in my head it is. Everything about it signifies Seinfeld. Maybe it's because Newman's postal van - VAN - is a recurring feature in the sitcom? Maybe it's all the episodes of Jerry driving to bluescreen. I don't know. Maybe it's - sigh- What?
Is my reference point askew? Maybe I'm getting confused with some other early nineties pop culture logo? There were enough of them.
A few possibilities emerge.
Saved By The Bell
No.
Parker Lewis Can't Lose
No.
Weekend At Bernie's
No.
It's none of the above. Or, rather, it's all of them.
I don't want to go mad attempting to nail this one, so I'm happy to let the Seinfeld logo be the zenith of this particular style; an amalgamation of all the above colourful, angular motifs.
Unless YOU know what it is and let me in on the secret, I'll let it lie. Seinfeld: cultural baggage number 2.
Labels:
cultural baggage
,
photo by Will
,
Seinfeld
,
transport
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