After recently seeing some lovely typographic work on Instagram by Mark Reddy and Jim Townsend 'Animalography', it reminded me of some woodland typographic animals I created a while back. As it often is with personal projects, more remain on the shelf than make it into the wild, so after a couple of years in hibernation, I've been inspired to let these ones go.
Showing posts with label Typography. Show all posts
Showing posts with label Typography. Show all posts
29 December 2016
Woodland Type Faces
Posted by
Kate Whiteman
at
22:08
After recently seeing some lovely typographic work on Instagram by Mark Reddy and Jim Townsend 'Animalography', it reminded me of some woodland typographic animals I created a while back. As it often is with personal projects, more remain on the shelf than make it into the wild, so after a couple of years in hibernation, I've been inspired to let these ones go.
Labels:
graphic illustration
,
illustration
,
Made by Kate Whiteman
,
Typography
11 January 2015
Pine cones
Posted by
Kate Whiteman
at
12:19
Labels:
graphic design
,
graphic illustration
,
illustration
,
Made by Kate
,
Typography
24 October 2014
When is a widow not a widow?
Posted by
Will Weaver
at
09:14
Apologies in advance if your search engine has brought you here looking for Burt Reynolds. There's nothing to see here.
Whether you like rules or not, we can all agree to differ that rules make order out of chaos. I like rules. Rules allow me to know where I am. If I'm riding on a designated cycle path and a pedestrian tells me off, I can happily rebuff their remark with a 'sorry, you're wrong there' as I pedal onwards. If I want to cancel a subscription to an overrated TV-on-demand service and I get the old never ending direct debit trick, I can call them on it. If I want to refer to one word sitting on its own at the end of a paragraph a widow, I know I'd be wrong. Because that's not a widow. Or is it? Oh dear.
It all started when I was reading Murakami's 1Q84 Book III and a rogue line of text particularly caught my eye. The word 'Lips' sat all on its own at the end of chapter 13. I opened a debate in the studio over what everyone thought a widow constituted. For me, a widow is a line of text at the end of a paragraph left on its own at the start of a page or column of text. Robert Bringhurst's Elements of Typographic Style has always been there to back this up, with the handy mnemonic 'widows have a past but not a future' (a bit archaic, yes, but I catch his drift). The studio was unsurprisingly split on the matter. Popular parlance, it would appear after researching the topic, would lead me to believe that many refer to the one sad, lonely word as a widow. But it's still a mixed bag of opinion. In some cases what some call a widow, others call an orphan and vice versa. Why has this issue become so unclear? Is it a 'my understanding is better than your understanding' pissing match in the same vein as the tiresome old classic Noah Webster's American English Vs Samuel Johnson's English English? (Ultimately, they're both right, right?). Maybe. But I find it a little odd to accept that when dealing with typesetting and proofing, the lines are blurred at all.
Before you have a game of pool it's wise to know the house rules to which you and your opponent are playing; after accidentally sinking the white do you take the free shot from anywhere on the table, off the line or from behind the line down the baise? But to ask "hey guys, before I get started setting this 200 page document, is a widow this or that when it comes to you marking up the corrections?" would be both weird and a fundamentally troublesome. In fact, I stumbled upon this guide by Bulldog Press where they do indeed quite clearly outline their set of definitions. Applaudable, but in the long run, cumbersome. Furthermore, they throw another term into the mix - 'runt' - which I only recently discovered myself on an Adobe InDesign forum thread whilst researching widows.
When the plot starts to thicken, you need some trustworthy opinions to help make sense of it. So I turned to my former typography tutor David Jury to ask for his take on the matter. A knowledgable source whose excellent book About Face I've been returning to over the years for typographical solace.
"I was hoping to come up with a really definitive reference but I'm surprised at how difficult it turned out to be." David replied, and instantly put my mind both at rest - that I'm not alone and going mad, and to work - that it isn't as simple a matter of this-or-that.
David said "Widows and orphans... these are the same thing in the sense that both are used to describe a single word or small number of words on a line of its own at the end of a paragraph. The term 'orphan' however is used to describe that same word when, it is not only on the last line of a paragraph by itself, but when that line is at the top of a new page."
So the single word alone is a widow! I was wrong all along! We're done. Good work, we can all go home now...
"However, the use of these terms has become chaotic. Not only have the two terms sometimes switched function I now see that the first line of a new paragraph that happens to be the last line on a page is also called an orphan. This is entirely new to me." David continued. "I began to wonder if I had always had these two terms wrong but my description is (or was) correct although now clearly a little archaic."
I wasn't so sure if David's understanding is archaic, as he puts it, because there's no definitive answer to which term is old, which is new, which is good, which is bad. Interestingly, though, David adds a clue to the dating of these two nomenclatures. "I looked at some older printer's manuals and widows and orphans are not even mentioned, so I guess these are relatively new terms anyway - something I didn't know."
If David's confused, I'm confused.
"My first thought concerning the blurring of its meaning was that the internet was to blame... people too quick to make public statements without checking their facts, but Bringhurst scuppered that theory."
Although Bringhurst does put a stake in the ground for what he teaches as a correct, I'm leaning towards David's first theory: that the internet is an excellent knee-jerk soapbox for expressing opinion.
Blogs have certainly altered the online landscape and the way people read and trust information. If Arianna Huffington can start a commentary blog then the next person certainly can, will and has (except theirs probably hasn't become one of the biggest online news resources called The Huffington Post). The clamour to be the first flag in the ground with a claim - no matter how spurious - can be irresistible, and if you own a blog, then why not? It feels good to be right. To win. But just the act of posting what you believe to be fact doesn't make it so.
When print was a long, expensive, manual affair, it would be in everyone's interest - from author to publisher to reader - to make sure you had the facts right before the words were set and the presses run. Plus, you wouldn't want to be called on your errors by your peers. So you took care. Now that cache which print brought with it has transferred online, but minus the care. The speed in which information can be stated can likewise be erased, so with all best intentions, playing fast and loose with facts - Wikipedia style - is no biggie.
Regardless of the whys and whens (that's a lengthier investigation for another time) without driving the fact-finding bus into piousness, I still wanted a definitive what. And if someone is the definition of being definitive it's definitely Erik Speikermann. So I asked him the big question outlining my understanding. Recap: a widow is a line of text at the end of a paragraph which appears alone at the start of a page. An orphan is the first line of a paragraph appearing alone at the end of a page.
"That would be exactly my definition." Erik replied, also casually throwing in this little nugget "In German, we call them Hurenkind (whore's child) for widow and Schusterjunge (cobbler's boy) for orphan. Go figure."
He also passed on a link to an article by Jennifer Kyrnin, dealing with widows and orphans online, further bolstering his answer.
Definitive!
Or is it?
Turning to another type cognoscente in the field, Phil Baines, in his and Andrew Haslam's Type and Typography, it's stated that a widow as one word on its own at the end of a paragraph. As an arbiter of scintillating popular party conversation I raised this with my brother James at my dad's 75th birthday. With a classically trained graphic design background and as a contemporary of Baines, it came of little surprise that James also thought that to be the case and pointed me towards one of his many resources: Type Matters by Jim Williams. In this book a widow is: "a single word, a very short line of text or the tail of a hyphenated word at the end of a paragraph." It also outlines further good type practices by which to abide when it comes to these pesky little stub ends and is all very good common sense, really. Responsibly typesetting so that readability comes first and individual words become invisible to the reader is hardwired in any decent graphic designer who will adjust their layouts accordingly. But interestingly, the issue of leaving one word alone at the end of a paragraph isn't considered the offence equivalent to calling their nan a witch that some designers would have you believe. Rather, it should merely be avoided according to Bringhurst and Baines. Furthermore, my dad's birthday cake was delicious.
I'd like to shut the case on all this, but the fact that designers, type setters, writers, typographers, font jockeys and kern-nerds alike have such similar yet varying views makes me want to find one rule to, erm, rule them all. So, dear reader, what do YOU think?
I'm no scientist, but I know when testing theories, wider samples result in more accurate and tempered results, so I've created a survey to see if a general consensus emerges regarding the semantics of widows. There may be a chance that results get skewed from what you've already read here, but it's not like I've got a white lab coat on. Which is a shame. It's a strong look.
You can find the survey at www.surveymonkey.com/s/8NT3L8H
Please get involved and share it with others. I'll be sticking the results up on this blog at some point.
At the front of this piece I cited the importance of using rules to aid road safety. In the grand scheme of things maybe my quest for the elucidation of terminology is not that important. An issue without an issue. You say tomayto, I say tomarto. Nobody is going to get knocked off their bike for referring to one word at the end of a paragraph as a widow. But you never know. Without proper guidance, one day YOU may collide with a creative director. I certainly won't be taking any responsibility when you file the claim.
Labels:
creative process
,
graphic design
,
Made by Will
,
Typography
18 September 2014
Parks and Recreation
Posted by
Kate Whiteman
at
19:27
Labels:
graphic design
,
graphic illustration
,
illustration
,
Made by Kate
,
Typography
04 August 2014
Bees
Posted by
Will Weaver
at
14:29
Labels:
graphic design
,
graphic illustration
,
Made by Will
,
Typography
25 July 2014
12 June 2014
Collecting football stickers
Posted by
Kate Whiteman
at
13:32
Labels:
illustration
,
Made by Kate
,
Typography
07 June 2014
21 March 2014
...a good cup of coffee
Posted by
Kate Whiteman
at
13:21
Labels:
Americano
,
Cappucino
,
Coffee
,
Cortado
,
Espresso
,
illustration
,
Made by Kate Whiteman
,
Typography
18 July 2013
...making a good impression using letterpress
Posted by
Kate Whiteman
at
18:32
A change is as good as a rest they say, so when the opportunity to do a day of letterpress came up at Ink Spot Press, I thought this extended screen break would do me good. And I thought right!
Typesetting, using predominantly only a Mac for over a decade, can turn you into somewhat of an automaton. Not that that's necessarily a bad thing. With the help of InDesign (and once-upon-a-time, QuarkXpress) I've been able to track, kern, lead and adjust type size at the drop of a keystroke. It's a modern privilege which has afforded me quickly and easily to hone my skills.
Having not touched letterpress since art school, I thought I'd forgotten everything involved. But from a heady combination of real ink smells and expert tutoring from lovely letterpress geek Sarah Bryant, the memories soon came back. If you've never had a go – and get the chance to – taking the time to compose metal type by hand and then seeing your work embossed with ink on to paper is BRILLIANT!
And as always, part of the process is all about making mistakes!
Labels:
letterpress
,
Made by Kate Whiteman
,
Typography
14 June 2013
...Vin Diagram
Posted by
Will Weaver
at
16:24
Labels:
illustration
,
infographic
,
Typography
,
venn diagram
17 February 2013
…offers you can refuse
Posted by
Kate Whiteman
at
18:43
Labels:
Made by Kate Whiteman
,
sale poster
,
Typography
15 February 2013
...food for thought
Posted by
Will Weaver
at
13:23
Labels:
food
,
illustration
,
Made by Will Weaver
,
Typography
18 November 2012
...Krulletter
Posted by
Kate Whiteman
at
10:56
I recently read an interesting typographical piece over at ilovetypography.com about Krulletter - a traditional script letterform which appears on 'brown bar' windows in and around the De Pijp and the Jordaan areas of Amsterdam. Because it is becoming an increasingly rare sight as premises develop, change hands and close - and using these circumstances as the root - a new typeface called 'Krul' has been developed to help continue this fine Amsterdam legacy. With an upcoming trip to the city already planned (for Museumnacht - check it out) I decided not to miss out on seeing this type firsthand and so, upon my arrival, headed over to the Jordaan area for some Krul-lurking.Almost straight away, my first example leapt from a pub window. It's a beautiful script and (type nerds unite!) exciting to see in context knowing it's part of a dying signwriting art form. It really does stand out with ornate curling swashes and super-thin thins. So much so that any modern revivalist scripts spotted on windows stick really stick out - there was definitely a bit of a Snell Roundhand party taking place on other pub/cafe windows. However, when photographing this type on glass, there were a couple of examples which had me wondering if they were original Krulletter or noble attempts to replicate the traditional neighbourhood style. Which brings me back to the original source of this expedition.
Ramiro Espinoza's effort in resurrecting Krulletter from the brink with revivalist typeface Krul feels like a worthy and correct endeavour. I understand the font is created with contemporary rationale for print and onscreen use, but if you open a bar in Amsterdam, and you can't use actual Krulletter, why settle for an anachronistic modern imitation script when you can, with Krul, have a typeface crafted with a warmth and understanding for the original sign writers favourite?
Labels:
Amsterdam
,
Krulletter
,
photo by kate
,
photography
,
Typography
13 July 2012
...dining out
Posted by
Will Weaver
at
15:52
Labels:
illustration
,
Made by Will
,
Typography
,
wise words
29 June 2012
...the best way to complain
Posted by
Kate Whiteman
at
09:19
Labels:
James Murphy
,
Made by Kate
,
quotations
,
Typography
18 June 2012
...folk typography No.1: Shoe Repairs
Posted by
Will Weaver
at
09:15
Labels:
Folk Typography
,
photo by Will
,
Typography
21 May 2012
...venn movies. Number 3: The Shining
Posted by
Will Weaver
at
14:54
Labels:
illustration
,
Made by Will
,
The Shining
,
Typography
,
Venn Movies
17 April 2012
...channeling negative energy using typography and breathing exercises
Posted by
Will Weaver
at
15:17
Labels:
Made by Will
,
Typography
05 April 2012
...a flow chart to identify if you're British
Posted by
Will Weaver
at
14:51
Trying to understand our national identity outside of closing our eyes and picturing red post boxes and the BBC logo is something the British do, I say, on a regular basis - daily, around 11 o'clock, with a slice of Victoria sponge cake and a cup of tea. But what exactly defines one's nationality? Is it tradition? The food we eat? The customs which we inherit? Three colours on a piece of cloth billowing in a spring breeze? If you're having a national identity crisis, just follow the simple flowchart below.
Labels:
flowchart
,
Made by Will
,
Typography
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